Small dark apartment. Smaller cramped kitchen. So many stories up. The others mill about with mugs in hand, gather around the tubular-legged formica table. Dressed in pale, loose-fitting clothes, they shuffle like sleepwalkers.
The kitchen’s single window – large, wide, with neither curtains nor panes – stares unblinking, westward, out over a great ravine, toward a ragged bluff on the opposite side. A long, low structure defines the bluff’s subtle shifts in elevation. The structure’s white walls are incomplete in places; it lacks a roof. Slowly, the sun sets, illuminates walls and rooflines in relief. The underbellies of great, dark clouds strung overhead catch fire.
Beyond the building – there, in the fathomable distance – stomps a tyrannosaurus rex. Enormous in size and ferocity and appetite, it tears through the low, roofless building, pulls off great chunks of cinder block, plucks out terrified people…gnashes bodies with its foot-long serrated teeth.
Don’t look…don’t notice…don’t acknowledge the awful danger. Don’t allow the thoughts to twist and form and grow… Don’t look here…Don’t notice us…Don’t hurt us…
Too late.
The fear, like a siren song, trembles upon the still air. The creature turns, glares across the ravine’s expanse, leaps it in a single pump of its powerful hind legs. With a thunderous t h u m p, it lands atop the building several stories up.
Tearing teeth. Sundering claws. The creature pulls apart the upper floors. The ceiling trembles, cracks, lets loose a drift of plaster dust. Formerly a drowsy environment, the kitchen erupts in frantic cries, dropped mugs, and calamity.
The monster digs its way down and down and inevitably down.
The three women stand – barefoot, shoulder-to-shoulder – before a mammoth, trapezoidal wall, a plaster expanse the deep, teal-blue of an undisturbed lagoon. Their hair tumbles, unrestrained, about their shoulders, cascades over the night-sky robes skimming their bodies. Arms uplifted, the sleeves of their robes slipping past their elbows, past their smooth forearms and biceps, they press, press, press their palms against the wall, against their own cast shadows. When, smiling, they tip their heads back, their laughter is fluid, effortless joy — the sound of blackbirds released into an unbound sky.
He stands just behind my right shoulder – a young man, so comfortable in his own skin, his presence adds inches to his height. And, in six-year-old guise, he clutches my left hand as tightly as his young strength allows. The nine-month-old him sprawls, arms and legs akimbo, in complete abandon on the bed’s rumpled sheets; while he-at-twelve sits on the edge of the same bed with arms defiantly crossed about his narrow torso – purposefully, he avoids my eye, assures himself that I know this. Finally, there, in a knot of sheet spilled upon the floor, is his smallest and youngest form – a red faced, yowling and inconsolable, thumb-sized infant whose continuous, shrill shriek drives all ability to think from my skull.