
Stroke my ears
and speak to me
in praiseful tone
of my abundant
canine virtues,
And I will grin,
and wag,
and tilt my head
— just so —
in attendant
dog-o-logue.
— C.Birde, 12/19


Stroke my ears
and speak to me
in praiseful tone
of my abundant
canine virtues,
And I will grin,
and wag,
and tilt my head
— just so —
in attendant
dog-o-logue.
— C.Birde, 12/19


Don’t
look up.
Not here,
at the top of the world,
in this place
of isolation,
of endless night and
boundless snow,
in this roofless hut
of stone entirely open
to unbroken
night.
Don’t look up.
Bear no witness
to the floes of white ice
that define the sky’s
concave curve,
those bergs and glaciers
arranged
aloft
afloat
around that great,
enormous bolt
fastened above…
to…
what?
Hide your seeking,
searching,
perplexed,
bewildered eyes
behind your fingers’
weave.
And for heaven’s sake,
for logic’s sake,
don’t look
up.
— C.Birde, 12/19

She let go
despair,
& the Moon
kissed her brow,
smoothed her hair,
filled her
entirely
with
l i g h t.
— C.Birde, 12/19

The lines dipped,
converged
with their weight
of birds
strung like beads,
like notes unsung.
We pass below,
unknowing.
— C.Birde, 12/19

So thoroughly
were they entwined,
they felt compelled
to ruthlessly
search out
&
declare
their ever-so-slight
differences.
— C.Birde, 12/19

The experience
held the unsavory
kernel of want –
like an absence
of salt
in aromatic soup
revealed only after
the spoon
lifted,
the lips
parted,
the tongue
tasted;
lodged like a seed
in the gum
(unreachable)
where wisdom once
resided.
— C.Birde, 12/19

Blue. White. Green.
Sky and clouds.
Rolling hills and lawn and trees.
These three brilliant, dazzling colors
dominate, as far as the eye can see.
To the right,
stroked between heaven and earth,
a long, low white house, modern and
featureless but for horizontal slabs
of black reflective glass
stretched like unspooled, undeveloped
film along the length of its recumbent
form.
From this structure’s back protrudes –
like the sweep of eyelet bridal train –
a semicircular deck of wood,
white, as well, but of a faded, ashen shade,
its brilliance muted, bleached
away.
And she, me, I.
The interruption.
Standing amidst this color scheme –
serene blue and white and green;
in striped, knee-high socks of every hue –
purple, pink, pale-yellow, orange, and
chartreuse;
one hand holds a bar of soap –
lavender-scented,
lavender-paper wrapped,
lavender, in both tint and tinge.
Standing there,
breeze gently lifting the hair
from our shoulders as we break the bar
in two and slip a brittling half into each sock’s
pulled-high, ribbed, fine-woolen
cuff.
I, me, she –
the lone bright-colored slash of verticality
in the entire placid,
tri-hued,
reclining,
scene.
— C.Birde

We write
our message
in undulating script,
in swoops & swirls,
in disappearing
ink.
Look up.
Lookfeelhear.
Decipher our plumed
& urgent patterns.
Lookfeelhear
our passage.
Mark our departure
& our absence.
Our pennate cycles
intersect & weave
as
o n e.
— C.Birde, 11/19


Hear,
overhead,
his heels fall –
like iron mauls –
against the floor.
Hear him rage
and roar.
His fury –
unleashed,
unfocused,
unfettered –
tumbles headlong
down the stairs,
bruised,
concussed,
wounded.
How long
can this continue?
can he maintain such
fiery wrath?
How does the ceiling
not crack?
his feet not break through
both plaster and
lath?
“Tell him.”
She speaks from across
the kitchen’s tiles,
from the safety
of self-imposed exile,
where,
with studied care,
she avoids your eye.
“Tell him how
he makes you feel.”
In a breath,
in a beat
he is there.
Toe to your toes,
towering and tall,
from roiling anger,
looming;
and all words have
vanished,
swallowed up
in a gasp,
in a gulp.
Wounded,
concussed,
bruised.
Tell him.
Tell him.
What she could not
and never would.
That his anger –
unfettered,
unfocused,
unleashed –
returns you
to fearful daze
of childhood;
that his roar blinds
and numbs and
strips away all
thought.
Choose
your words with care
and, while so choosing,
realize, of a sudden,
the surrounding,
enveloping
silence.
Realize
you have found,
at last, your voice,
and have already
spoken.
— C.Birde, 11/19

She had known,
in her life,
both grief & joy;
and
lifted her limbs,
— interlaced, interwoven —
in hope
exultant.
— C.Birde, 11/19