
My grief
is a mourning dove,
all hollow bones &
feathers.
Winged.
Near-weightless.
Poor tender, disconsolate
creature.
She curls talons against
her perch –
my heart –
pierces that soft muscled
chamber &
coos a mournful
song.
— C.Birde, 8/20

My grief
is a mourning dove,
all hollow bones &
feathers.
Winged.
Near-weightless.
Poor tender, disconsolate
creature.
She curls talons against
her perch –
my heart –
pierces that soft muscled
chamber &
coos a mournful
song.
— C.Birde, 8/20

As in the way of dreams, two realities –
he has died;
he walks, straight and tall, beside me.
In death, two versions, also –
the one, all six-foot-tall of him rolled on his side
and bent in awkward, fetal curl,
hooked in blue-tinged dark to chirping, electric machinery;
the other, seated on ivory leather couch, in sunlight drenched,
a shotgun gripped, tripod-like, between legs and knees;
his long toes feel and finger the trigger’s curve.
In both cases, one consistency –
he is alone.
And yet,
and yet…
Together we walk this long road of soft pale soil
that uncurls toward the huddled town below.
As that unknown hamlet slowly resolves,
he tells me of his death,
his dying;
of the messages he left for her
– the youngest –
to find.
Clues.
Scrawled in small, cramped hand on slips and scraps of paper,
neatly folded into white envelopes to be opened
– one each year –
on his death day’s anniversary.
We walk together, he and I.
I hear his voice — a rasp against my ear —
and the ocean’s waves that break themselves
against gray sea walls.
And, as in the way of dreams,
though separated by time, location, distance,
I see her
– the youngest –
in open room full of soft-lit windows;
see her lean against that same couch of ivory.
Though separated,
I see her finger run beneath an envelope’s flap and
break the seal.
Excitedly, she reads;
while he and I reach the outskirts of that sleepy town.
Here, the air smells of salt and sea.
Here, the wind finds my hair, my cheek.
And here, undeterred, he walks beside me;
but no longer does he
speak.
— C.Birde, 8/20

The storm has passed.
Generators’ collective hum
competes with insect song.
Electric stove serves
rainbows.
— C.Birde, 8/20

“Together,” she sang,
“Always together.
Regardless of where we stand.
We walk together.
Hearts. Thoughts.
Hands forever at work.
Each act and choice and step
a kiss, a bruise pressed
to this precious skin of land.”
— C.Birde, 7/20

Fragmented
space
time
breath
Fragmented
world
life
self
Collected
slips
scraps
snatches
Collected
lines
threads
words
All,
palm-cupped
heart-fastened
clasped
like
dust
sea-glass
pebbles
cicadas’ spent
shells
Reworked
refashioned in
imperfect
whole.
This tenacity,
this persistence,
this work of
being.
— C.Birde, 7/20

Seven months
since last we met.
Five months since…
Since…
Yet even in passing glance,
even at distance –
familiar.
Stature & gait;
wave of dark, curled hair;
eclipse of cheek –
familiar.
The shade of dress alone
speaks of difference –
uncharacteristic green
of emeralds,
of deep woods
thickly forested in memory
& being.
A color that suits you,
becomes you.
But…
Away, you stride,
path cleared of obstacles.
Unshackled.
Freed.
And I –
bumped & jostled
by this noisome,
swallowing
crowd –
though I call out,
though frantically,
I wave,
you neither see nor hear;
continue on your
way.
I missed you.
I miss you.
Seven months
since last we met.
Five months since…
Since…
— C.Birde, 7/20

“I am the rain,”
her voice pattered
amongst the leaves,
“slaking & soaking,
praised & cursed.
I am a multitude –
of oceans,
of voices;
raising & eroding.”
She touched my face.
“I accept,”
she hushed,
“your tears.”
— C.Birde, 7/20

Campanula blue
inverted bloom of
wings and feathers,
earthward pointing,
fluttering
drooping
Each hollow bone
transformed
to ballast,
recast as gravity’s
servant
Trapped,
held fast by stem
of foot,
scarlet beaded,
bleeding
Unintended consequence
Peace, dear fellow creature,
peace
Cease your valiant struggles
and suffer me
(rueful instrument of
your snaring)
to set you
free.
— C.Birde, 7/20

“Do you have the time?”
I asked.
He shook his head,
continued walking.
“Rats,” I sighed.
“…I think my four-o-clocks
are slow…”
— C.Birde, 7/20


Who spoke those words…?
Gently,
gently she insists
it was not her
(though they sound so like
a consolation
she might offer up to soothe
discontented
nerves.)
Sly mystery.
No solution other than
the words themselves.
“Expectation versus serenity…”
Vice versa.
For mercy’s sake,
for sense of self,
arrange them
properly.
— C.Birde, 7/20